Review: What I Really Wanted To Say Was

Fresh out of East 15, Lance Jeffery, Nyke Jackson and Rosie Jane burst onto the theatre scene with What I Really Wanted To Say Was at the Camden Fringe on 14-Aug. It’s presented as a social satire about prejudice in the workplace. The fourth wall is immediately broken as they introduce themselves, Nyke identifying as a mixed race male, Rosie as a mixed race female bisexual and Lance as a white male. 

They then draw us into a variety of workplace scenarios, focussing on the challenges each of them face on an every day basis; sexism, racism, ADHD and dyslexia. We are introduced to Terry Bellowman – a cocky, white male boss, symbolising all that is politically incorrect and backwards about society. Then we have Orin Sundrie, a new member of the team multi-roled by all three actors as a strong figure of diversity within the workplace.

This particular workplace is an advertising agency, attempting to present their adverts as ‘multi cultural’ and ‘diverse’ to the point where it comes full circle, prompting questions around what sells in the advertising industry: white, black, gay, hetero, gender, etc?

But the backwards culture and attitude starts within. Rosie plays a female Orin who is constantly sexualised, harassed in the office and ridiculed for her afro hairstyle. For these reasons, she struggles to make her way up the ranks in the business. She later shares the shocking statistic that 1 in 10 women are sexually harassed in the workplace.

Nyke plays an ADHD Orin who struggles to achieve in an agency that fails to understand the way he works and functions everyday and purposefully marginalise him for it.

Lance then plays a dyslexic Orin who is ridiculed for his reading difficulties, resulting in an effective physical fight to enhance the visual and physical power over Orin who relies on audio a lot to digest information.

Nyke, Lance and Rosie are very strong actors with bewitching stage presence and the content they present is engaging and relevant. You can really tell that a piece of each of them has been put into the show. However, I’m unsure of what to take away from it – after addressing such strong issues, the end is a little inconclusive. I’m aware of the difficulties faced within the workplace, but a solution or at least a stronger message at the end would have a more powerful impact.

Overall though, this is a strong piece with a lot of potential.

I wish them all the best for any future runs of the show. There’s a lot going on at the Camden Fringe, so for anyone who’s around, check out what’s onDon’t forget to like, share and tweet me @theatregirl_94

Keeping Shakespeare Fresh in 2017

How is it that plays that were written almost 400 years ago still bear relevance today? I’m aware that not everyone is a big fan of Shakespeare, namely Emma Rice, Artistic Director of The Globe who stated:

There’s a lot of theatre, some of it Shakespeare some not, which feels like medicine. You feel like if you can get through it, you’re a better person. I have no interest in that; I can’t bear to be in a theatre that feels like medicine.” (Telegraph, 2016).

If a Shakespeare play does feel like medicine, then it’s obviously not been done very well. I recall watching a production of Hamlet at the Tobacco Factory last year – not that I’m a massive fan of Hamlet as a play anyway, but this production was unbelievably dry. It went down like cod liver oil (if we’re going with the medicine simile). Kate Wyver’s review summarised that the reason for this was a lack of risk – the production was far too safe.

We’ve all studied and watched Shakespeare till we’re blue in the face. Something has to give. This is why I’m highlighting a couple of productions I have seen, and one that I have booked to see that break the mould, make us think and drag out themes and emotions that we may not have even considered before.

  • Julius Caesar, Bristol Old Vic: Starring Julian Glover from Game of Thrones, this production chose to take a contemporary route, which really accentuated the political angle of the play. The crowds shouting Caesar’s name may as well have shouted Corbyn’s – their demeanour very similar to the passionate Glastonbury attendees only a few weeks back. I had never read or watched Julius Caesar, so had no idea what to expect, but this production was fresh and defiant. The themes of treachery, political arrogance and scheming felt ever present; while Caesar is accused of being a dangerous threat to his people, Corbyn was bashed by every tabloid going leading up to the election.

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    Julian Glover as Julius Caesar (Sourced from Bristol Post)


  • Twelfth Night, The Globe: This funky, glittery 70’s inspired production was bursting with life and was simply glorious. Not only did it include the fabulous drag queen Le Gateau Chocolat, who truly encapsulated the cross-dressing theme, but Katy Owen who played Malvolio stole the show with her crazed body contortions and facial expressions. I was unfamiliar with the play before going, but the whole concept worked incredibly well. The cheesy camp-ness of the whole thing was in keeping with the cross-dressing, bi-curious elements the plot lends itself to. Luckily, you can still catch this production if you’re quick – it’s on till 5-Aug.

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    Le Gateau Chocolat. Sourced from The Globe website.
  • The Tempest, Tea Powered Theatre: A local Bristol theatre company, Tea Powered Theatre specialises in steam punk inspired theatre while serving cream teas with a fabulous selection of teas from Bristol Tea Company. This particular production of The Tempest is directed by Calum Anderson and is set in space where reality ceases to exist; up is down and white is black. Nothing is as it seems. A group of stranded astronauts delve their way into a world of discarded technology and madness. There are a few showings of this in September, so don’t miss out!
    5-Sep – 7-Sep: Bierkeller Theatre (Cream tea not included)
    9-Sep – 10-Sep: All Saints Church (Cream tea included) – I’ll be going to this one! 😉
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If you have seen any Shakespeare productions recently that you’d like to mention, then please comment or tweet me @theatregirl_94