I’m officially living in London now – still feels a bit surreal if I’m honest! Everything has happened very fast and up until now I haven’t had a moment to breathe. Thankfully, I don’t start my new job until next week, so I have spent this week doing life admin, catching up with London friends, gymming and of course – watching a bit of theatre!
And what better place to start than The Globe? I managed to nab tickets for £20 to Romantics Anonymous, a musical adapted by the wonderful Emma Rice from the French-Belgium film Les Emotifs Anoymes. Tickets would have normally been around £40 for seats near the front, but because I’m part of The Globe mailing list, they gave me a voucher code to get £20 tickets – pretty neat. For ticket deals, I definitely recommend joining theatre mailing lists, as well as some of these money-saving tips from a blog I did a while back!
Anyway, I couldn’t have asked for a better show to welcome me to London. It’s a quirky, tongue-in-cheek romance between talented chocolate maker, Anglique (Carly Bawden) and Chocolate Factory owner, Jene-Rene (Dominic Marsh) – both very socially awkward people, fumbling blindly through the small challenges of the every-day. It’s so charming, my cheeks hurt from smiling. It’s so rare that two introverts are placed as the stars of a show, but it works wonderfully, shedding light on the characters who struggle to have a voice. Here are some quick reasons why you need to book your ticket to see this show NOW:
Angelique is truly adorable. She’s a ridiculously talented chocolate maker, but shies away from the pressure of taking credit for her work. Jene-Rene is lovingly hopeless, listening to meditation tapes while his chocolate business he inherited from his cautious (and hilarious) father (Philip Cox) begins to crumble around him.
The supporting characters tie the whole show together. Each has their distinct charm, but two in particular stand out for me. Marc Antolin plays Ludo, a sassy Welshman who works at the Chocolate Factory, rolling his eyes and passing judgement. He’s gutsy and mesmerising to watch. Similarly, I can’t take my eyes off Joanna Riding who plays both Magda, the strong and stable Chocolate Factory worker, and Angelique’s powerhouse mother. Her presence is astounding and her singing voice, incredible – a microphone isn’t necessary!
Designer, Lez Brotherston hit the nail on the head with this one. Everything about the set is charmingly vintage, with neon light signs for each establishment the characters encounter. It’s jazzy, bold and camp – summarising the show as a whole really, but it’s absolutely gorgeous. It also adds to the comedy of the piece as characters announce where they are, gesturing above, and the neon light sign they require lights up. So camp, so wonderful.
The classic French accordion undertones go hand in hand with the folky music – Emma’s staple style. Overall, the music by Michael Kooman, and the hilarious lyrics by Chrisopher Dimond capture the whole essence of the show and bring it all together.
So what are you waiting for? Romantics Anonymous runs till 6 January 2018, so book your tickets!
Don’t forget to follow and tweet me at @theatregirl_94